The Arabic word translated as “destiny” is qadar. In its derivations, this word also means “determination,” “giving a certain measure and shape,” “dividing,” and “judging.” Muslim scholars of Islam define it as “Divine measure,” “determination,” and “judgment in the creation of things.”
In one sense, Decree and Destiny mean the same thing. In another sense, however, Destiny means to predetermine or preordain, while Decree means to execute or put into effect. To be more precise, Destiny means that everything that exists, from subatomic particles to the universe as a whole, is known by God Almighty. His Knowledge includes all space and time, while He Himself is absolutely free both of them. Everything exists in His Knowledge, and He assigns to each a certain shape, life span, function or mission, and certain characteristics.
Consider the following analogy: Authors have full and exact knowledge of the book they will write, and arrange its chapters, sections, paragraphs, sentences, and words before writing it. In this sense, Destiny is almost identical with Divine Knowledge, or is a title of Divine Knowledge. It is therefore also called the “Supreme Preserved Tablet” (or the “Manifest Record”). Destiny also means that God makes everything according to a certain, particular measure and in exact balance:
Different concepts of destiny and fate
Destiny may be envisaged as fore-ordained by the Divine (for example, the Protestant concept of predestination) or by human will (for example, the American concept of Manifest Destiny).
A sense of destiny in its oldest human sense is in the soldier's fatalistic image of the "bullet that has your name on it" or the moment when your number "comes up," or a romance that was "meant to be." The human sense that there must be a hidden purpose in the random lottery governs the selection of Theseus to be among the youths to be sacrificed to the Minotaur.
Destiny may be seen either as a fixed sequence of events that is inevitable and unchangeable, or that individuals choose their own destiny by choosing different paths throughout their life.
Destiny in literature and popular culture
Many Greek legends and tales teach the futility of trying to outmaneuver an inexorable fate that has been correctly predicted. This form of irony is important in Greek tragedy, as it is in Oedipus Rex and the Duque de Rivas' play that Verdi transformed into La Forza del Destino ("The Force of Destiny") or Thornton Wilder's The Bridge of San Luis Rey, or in Macbeth's uncannily-derived knowledge of his own destiny, which in spite of all his actions does not preclude a horrible fate.
Other notable examples include Thomas Hardy's Tess of the D'urbervilles, in which Tess is destined to the miserable death that she is confronted with at the end of the novel; the popular short story "The Monkey's Paw" by W.W. Jacobs; and the M. Night Shyamalan film Signs. Destiny is a recurring theme in the literature of Hermann Hesse (1877-1962), including Siddhartha (1922) and his magnum opus, Das Glasperlenspiel also published as The Glass Bead Game (1943).The common theme of these works is a protagonist who cannot escape a destiny if their fate has been sealed, however hard they try. Destiny is also an important plot point in the hit TV shows Lost and Supernatural, as well a common theme in the Roswell TV series.
Divination of destiny
Some believe that one's destiny may be ascertained by divination. In the belief systems of many cultures, one's destiny can only be learned about through a shaman, babalawo, prophet, sibyl, saint or seer. In the Shang dynasty in China, turtle bones were thrown ages before the I Ching was codified. Arrows were tossed to read destiny, from Thrace to pagan Mecca. In Yoruba traditional religion, the Ifá oracle is consulted via a string of sixteen cowries or oil-palm nuts whose pattern when thrown on to a wooden tray represents the 256 possible combinations whose named "chapters" are recited and verses interpreted for the client by the babalawo. The Ifa Divination system was added in 2005 to the UNESCO list of Masterpieces of the Oral and Intangible Heritage of Humanity.
On a trivial level, there have been multifarious methods for European maidens to detect in advance the husband for whom they were fated.
Destiny versus fate
Although the words are used interchangeably in many cases, fate and destiny can be distinguished. Modern usage defines fate as a power or agency that predetermines and orders the course of events. Fate defines events as ordered or "inevitable". Fate is used in regard to the finality of events as they have worked themselves out; and that same sense of finality, projected into the future to become the inevitability of events as they will work themselves out, is Destiny. In classical and European mythology, there are three goddesses dispensing fate, The "Fates" known as Moirae in Greek mythology, as Parcae in Roman mythology, and Norns in Norse mythology; they determine the events of the world through the mystic spinning of threads that represent individual human destinies.
One word derivative of "fate" is "fatality", another "fatalism". Fate implies no choice, and ends fatally, with a death. Fate is an outcome determined by an outside agency acting upon a person or entity; but with destiny the entity is participating in achieving an outcome that is directly related to itself. Participation happens willfully.
Used in the past tense, "destiny" and "fate" are both more interchangeable, both imply "one's lot" or fortunes, and include the sum of events leading up to a currently achieved outcome (e.g. "it was her destiny to be leader" and "it was her fate to be leader").
Fate can involve things which are bound within and subject to larger networks. A set of mathematical functions arranged in a grid and interacting in defined ways is Fatelike. Likewise the individual statues in a larger work of counterpoint art are aesthetically Fated within the work. In each case Fate is external to every individual component, but integral to the network. Every component acts as Fate for every other component. The entire world can be seen as existing within such a network, a kind of mythical spiderweb controlled by unseen forces.
Fortune and Destiny (Gad (deity) and Meni) appear as gods in Isaiah 65:11.[1]
Destiny and "Fortune"
In Hellenistic civilization, the chaotic and unforeseeable turns of chance gave increasing prominence to a previously less notable goddess, Tyche, who embodied the good fortune of a city and all whose lives depended on its security and prosperity, two good qualities of life that appeared to be out of human reach. The Roman image of Fortuna, with the wheel she blindly turned was retained by Christian writers, revived strongly in the Renaissance and survives in some forms today.[2]
Destiny and Kismet
Main article Predestination in Islam
The word kismet (alt., rarely, kismat) derives from the Arabic word qismah, and entered the English language via the Turkish word kısmet, meaning either "the will of Allah" or "portion, lot or fate". In English, the word is synonymous with fate or destiny.
Famous Say...is
“Watch your thoughts, for they become words.
Watch your words, for they become actions.
Watch your actions, for they become habits.
Watch your habits, for they become character.
Watch your character, for it becomes your destiny.”
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